
Sharpsburg War Council
Shown here, on the evening of September 17,
1862 after The Battle of Sharpsburg, Lee meets with his General staff to assess the damage
and plan for the following day. |
The
Battle of Sharpsburg
On the morning of September 17, 1862, at
approx. 6:05 am, shots rang out on the north end of Miller's Cornfield, commencing what
would be later defined as carnage in the highest degree. The battle rages on through the
morning, and rests at the beginning of the afternoon on the middle of the battlefield in a
Wagon-rutted alleyway called "The Bloody Lane." Here the carnage continues,
until later in the day when Mc Clellan orders General Burnside to take the lower bridge at
the southwestern corner of the battlefield, now called after its namesake,
"Burnside's Bridge." Late in the day, A.P. Hill force marches his men 17 miles
from Harper's Ferry to Lee's right flank in the fields above the bridge. Burnside, finally
crossing the bridge, brings his inexperienced New Englanders to the crest of the hill
above the creek, now attempting to roll up Lee's right flank. At that moment, A.P. Hill
arrives, and the third phase of battle is fought. At the end of the day, more than 23,000
casualties are assessed; the dead, the wounded, and the missing will account for America's
bloodiest day. On the morning of the 18th, both armies are poised to resume the horror,
and yet they both seem uneager to commit. Throughout the day that remains the posture and
on the evening of the 18th, Lee begins to withdraw his army across the Potomac at
Shepardstown, thus ending the enormous struggle to win victory in the North. |
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Confederate
dead along the Haggarstown Pike, Looking North. These and other photographs were the
beginning of Combat Photography. Until these photos were seen, on display in New York,
only battlefield sketches and first hand stories brought the picture of the Civil War
home. These photographs brought many citizens to their knees with the reality of war.
The yellow arrow points to the approximate
point where photographer Matthew Brady set his camera, circa mid-morning on September 19,
1862.
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